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24p/25p issue recap for poor PALs
Hello,
I post this one in the FCP forum because it’s where the bulk of the related debate goes on.Needing a photo camera, I’d have really wanted to buy Nikon D7000, until the uttermost upset got unveiled: the piece shoots no FullHD footage but in 24p. I own a FullHD 25p videocamera whose framerate I can’t change, and ultimately, if I gotta burn a DVD, it’ll be a PAL one.
I know same price cameras featuring 25p FullHD are marketed, but I’d like to check out every option before changing my mind, because I know there are Nikon-based PALs working.After reading many posts, I feel like I got these points:
1) conforming 24p to 25p without loosing audio synch or getting artifacts is impossible, unless paying up to 2000$ per footage hour;
2) all in all, it’s better to go the other way: from 25p to 24p;
3) somewhere I read 24p videos work better on web than 25p ones;
4) shooting in 24p helps avoiding catching the european lightsources’ 50Hz flicker.Maybe I got something wrong, and I beg you all to correct me.
In your experience, is this whole elaborated talk worth the walk?Regards,
Alberto.