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24fps w/ the Kona LH card – question…
I recently shot some footage w/ my HVX-200- set to 480/60i – recording to tape. And my wish was this footage to be recorded in 480/24p . . . And I know from reading Barry Green’s notes, that to convert 60i to 24fps is a “no-no”, because of the “field/frame blending-mishMash.” I tried a couple of ways of converting this footage:
1) Placing the 60i clips in a FCP 24fps timeline and have FCP convert it.
2) Using “Film Effects” plugin from Nattress (nattress.com)to convert the clips to 24fps.
3) Using my Aja Kona LH card to digitize the 60i footage using the 8bit Uncompressed 23.97 setting.
The worst quality was #1, the second best was “Film Effects” but the best results came from the Kona card. The captured footage has a very subtle “film look” at 24fps and I find it even more pleasing than footage shot in 480/24p w/ the HVX.
Now my question is, what exactly is the Kona card “doing” . . . is it looking at the SDI signal as if it were “camera footage” and capturing it in 24fps on the “fly”? . . . or is it doing more stuff digitally: using mathematical calculations, etc. Just curiouis….
Grant Taylor
(for Gary Adcock… Varicamp L.A. July 2006)