Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy 16:9 HD gone letterbox when inputted to fcp. Why?

  • 16:9 HD gone letterbox when inputted to fcp. Why?

    Posted by Rachel Hendry on August 25, 2009 at 8:00 pm

    Hello

    I am editing some footage for a music video on final cut pro 6.0.1.

    I recorded the footage on a sony z1, 16:9 in high definition. I transferred this footage onto my mac and into final cut pro through this same camera using a firewire cable. However, the footage that has appeared in my project on final cut is playing 16:9 letterbox instead of full height. I’ve tried playing around with the audio/video settings in final cut but to no avail.

    Can anyone suggest why this might have happened please?

    Thanks,
    Rachel Hendry

    Rachel Hendry replied 17 years, 1 month ago 3 Members · 11 Replies
  • 11 Replies
  • David Roth weiss

    August 25, 2009 at 8:26 pm

    [Rachel Hendry] “the footage that has appeared in my project on final cut is playing 16:9 letterbox instead of full height. I’ve tried playing around with the audio/video settings in final cut but to no avail.

    Rachel,

    You can’t “play around” with settings after putting video material on the timeline, that’s very clear if you go back and read the manual.

    Open a new sequence, drop a piece of video onto the new timeline, and when FCP asks if want to the settings to match your video, check “yes.”

    David Roth Weiss
    Director/Editor
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

  • Rachel Hendry

    August 25, 2009 at 9:02 pm

    Thankyou for your quick response. However, when I do as you suggest and drop some video into the timeline of a new sequence, FCP doesn’t ask me anything. It simply drops it in as the same letterbox 16:9.
    Do you have any other suggestions?

  • David Roth weiss

    August 25, 2009 at 9:43 pm

    Go to User Preferences>>Editing tab and at the very bottom right you will see Auto conform sequence, which should be set to “Ask.”

    Now, repeat the process… Open a new sequence and drop a clip of your HD material in and FCP should ask you what to do…

    David Roth Weiss
    Director/Editor
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

  • Michael Gissing

    August 25, 2009 at 10:17 pm

    What David is trying to help you do is match the sequence settings to the footage. What you also need to understand is how to select the correct Easy Setup before you import and edit footage.

    What is your current Easy Setup and what codec did you import the HDV footage as. It is likely operator error and not FCP behaving strangely.

  • Rachel Hendry

    August 25, 2009 at 10:35 pm

    Hello

    My Easy set up says:

    Sequence Preset: DV PAL 48khz Anamorphic
    Capture Preset: DV PAL 48khz Anamorphic
    Device Control Preset: firewire PAL

    From what you’ve both said before I’m guessing I’ve got the wrong settings.

    Does this mean re-capturing all the footage again using a different easy set up or can this original project still be changed to the correct settings by putting it into a new sequence?

    Thanks,
    Rachel

  • David Roth weiss

    August 25, 2009 at 11:22 pm

    Rachel,

    In your initial post you said that your material was HD, but your Easy Setup is DV, which is SD. If you put HD video into a SD timeline , it has to letterbox the material.

    However, if you open a new timeline and either set it properly manually or automatically have it match the settings, just as I instructed you before, it will work properly in spite of the wrong Easy Setup.

    However, you really should watch and memorize the following brief tutorial, which shows you exactly how to begin every new FCP project.

    https://library.creativecow.net/articles/biscardi_walter/realtime_sequences.php

    David Roth Weiss
    Director/Editor
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

  • Michael Gissing

    August 25, 2009 at 11:23 pm

    It depends on what the footage was captured as. Can you get info on a clip and tell us what the capture codec is please.

  • Rachel Hendry

    August 26, 2009 at 12:41 am

    I’m not exactly sure what capture codec means so here are all the setting details of a clip I captured:

    Item Properties

    Creator: Quicktime Player
    video rate: 25 fps
    frame size: 720 x 576
    compressor: DV – PAL
    Data Rate: 3.6 MB/sec
    Pixel Aspect: PAL – CCIR 601

    Sequence Settings

    Aspect Ratio: CCIR 601/DVPAL (5;4)
    Pixel Aspect Ratio: PAL CCIR 601 (720 x 576)
    Compressor: DV PAL

    Thanks

  • Michael Gissing

    August 26, 2009 at 1:35 am

    Rachel, if you intended to have your edit in HD, then you have captured the footage as DV codec (standard def). This means the capture playback device was set to downconvert the footage to DV.

    If you want HD, you will need to recapture, making sure the play device is correctly set to output HDV codec and your Easy Setup is selected to HDV 1080 50i.

  • David Roth weiss

    August 26, 2009 at 1:38 am

    Your material is not HD after all Rachel, it’s widescreen SD.

    So, you need to select the DV PAL Easy Setup, then open a new sequence, and go to Sequence>>Settings and check the box that says “anamorphic.” That should get you all straightened out, because your footage is DV widescreen anamorphic, that is squeezed horizontally into a 4×3 frame. By checking the anamorphic box it unsqueezes it and displays widescreen.

    David Roth Weiss
    Director/Editor
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

Page 1 of 2

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy