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cards aja vs black magic
Posted by Rui Carvalho on March 5, 2010 at 9:43 amwhat are the best card to buy aja kona or black magic extreme 3to work whit final cut
tanksPPX
Matthew Causon replied 16 years, 2 months ago 9 Members · 10 Replies -
10 Replies
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Jason Porthouse
March 5, 2010 at 1:06 pmHow long is a piece of string?
Until we know your budget and requirements, then any answers will be a bit general. I run a Blackmagic Multibridge Pro in my suite. It copes with everything I throw at it, more or less. Would I buy AJA? Yes. Matrox? Yes. If you’ve a few hundred bucks to spend, then Blackmagic looks likely. Few thousand? Get a Kona. Need H264 encoding? Matrox.
None of the ‘big 3’ are bad products now – it’s just a case of picking the most appropriate for your needs. You need to do some homework and identify what those are. If you don’t do that, expect some interesting answers here 😉
Jason
_________________________________
Before you criticise a man, walk a mile in his shoes.
Then when you do criticise him, you’ll be a mile away. And have his shoes.*the artist formally known as Jaymags*
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Walter Biscardi
March 5, 2010 at 1:25 pm[rui carvalho] “what are the best card to buy aja kona or black magic extreme 3to work whit final cut”
AJA kona.
Walter Biscardi, Jr.
Editor, Colorist, Director, Writer, Consultant, Author.
HD Post and Production
Biscardi Creative Media“Foul Water, Fiery Serpent” now in Post.
Creative Cow Forum Host:
Apple Final Cut Pro, Apple Motion, Apple Color, AJA Kona, Business & Marketing, Maxx Digital. -
Andy Mees
March 5, 2010 at 2:26 pmHey Rui
They are both good, get whichever one offers the best / most immediate local support should you ever need it. If you are in the US then thats probably AJA, if you;re in Europe or elsewhere then that mat be Blackmagic.
Other than that, as Jason notes, try to identify your needs more precisely and you should be able to better narrow your choices.
Cheers
Andy -
Don Walker
March 5, 2010 at 2:56 pmAJA replaced my Kona Lhe Wednesday for a very minor problem, that as it turned was the breakout cables fault, but could have just as easily been my problem. AJA has been STERLING as far as their support. I can easily say it is probably the best in the business! My 2 cents….
Don WalkerJohn 3:16
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Russell Lasson
March 8, 2010 at 6:26 amAJA Kona. It’s not the only thing that will work with FCP, but it is the best:)
-Russ
Russell Lasson
Colorist/Digital Cinema Specialist
Color Mill
Salt Lake City, UT
http://www.colormill.net -
Matthew Causon
March 9, 2010 at 6:27 pmHello Rui and Andy
re the AJA European support, we have dedicated distributors with support engineers and swap out stock in UK, Germany, Italy, France, Benelux & Russia; so support and the 3-5 year advanced replacement warranty is handled effectively here.
Also there is a direct dealer line to our engineering group, so we like to feel that escalation support is also well covered in Europe and if we’re falling short I’d always like to know!
OK, I’ll get off my soapbox now;)
Best regards
Matty Causon Phosphor
EMEA Business Management for AJA Video Systems Inc.
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Andy Mees
March 9, 2010 at 11:33 pmHey Matty
Thanks for taking the time to clarify … of course its the Spanish I feel sorry for 😉
Seriously tho, your willingness to drop in (soapbox and all) as and when appropriate is very much appreciated.
Best
Andy -
Gary Adcock
March 10, 2010 at 12:06 am[Andy Mees] “Thanks for taking the time to clarify … of course its the Spanish I feel sorry for 😉 “
Andy,
I know that Matty has a really good person in that he works with in Spain, so do not fret too much.
let me add that I always enjoy Matty’s commentary here, that he is a very good friend and if you really want to delve into the breadth of his knowledge, talk Audio…
gary
gary adcock
Studio37
HD & Film Consultation
Post and Production Workflows for the Digitally Inclined
Chicago, ILhttps://blogs.creativecow.net/24640
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Michael Gissing
March 10, 2010 at 1:11 amI recently did a complete system upgrade – hardware & software. Previously I had a Decklink Pro HD and so this time I did a lot of home work and considered the benefits of all cards against cost.
Most important to me was good quality up/down/cross conversion, plus dual SDI inputs and outputs, as I feed my HDCam and digi beta simultaneously. I also knew that I had some projects that were going to be RED 4K and the ability to work with 2K files being converted and displayed correctly on a 1920 x 1080 monitor was also very important.
So in the end the winner was Kona3. It actually did the best job on all those tasks and I also knew it would be only getting better with time as the AJA support and development is also impressive. As for cost, I value my time and the reputation for being able to handle anything at quality with speedy turnaround. So the Kona3 was not expensive given my expectation of many years of profitable trouble free work.
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Matthew Causon
March 11, 2010 at 4:37 pmHey no problem sir.
Spain has had a rough year but I love to go there.
You coming to NAB?
Matty
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