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Activity Forums Apple Final Cut Pro Legacy cards aja vs black magic

  • Jason Porthouse

    March 5, 2010 at 1:06 pm

    How long is a piece of string?

    Until we know your budget and requirements, then any answers will be a bit general. I run a Blackmagic Multibridge Pro in my suite. It copes with everything I throw at it, more or less. Would I buy AJA? Yes. Matrox? Yes. If you’ve a few hundred bucks to spend, then Blackmagic looks likely. Few thousand? Get a Kona. Need H264 encoding? Matrox.

    None of the ‘big 3’ are bad products now – it’s just a case of picking the most appropriate for your needs. You need to do some homework and identify what those are. If you don’t do that, expect some interesting answers here 😉

    Jason

    _________________________________

    Before you criticise a man, walk a mile in his shoes.
    Then when you do criticise him, you’ll be a mile away. And have his shoes.

    *the artist formally known as Jaymags*

  • Walter Biscardi

    March 5, 2010 at 1:25 pm

    [rui carvalho] “what are the best card to buy aja kona or black magic extreme 3to work whit final cut”

    AJA kona.

    Walter Biscardi, Jr.
    Editor, Colorist, Director, Writer, Consultant, Author.
    HD Post and Production
    Biscardi Creative Media

    “Foul Water, Fiery Serpent” now in Post.

    Creative Cow Forum Host:
    Apple Final Cut Pro, Apple Motion, Apple Color, AJA Kona, Business & Marketing, Maxx Digital.

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  • Andy Mees

    March 5, 2010 at 2:26 pm

    Hey Rui

    They are both good, get whichever one offers the best / most immediate local support should you ever need it. If you are in the US then thats probably AJA, if you;re in Europe or elsewhere then that mat be Blackmagic.

    Other than that, as Jason notes, try to identify your needs more precisely and you should be able to better narrow your choices.

    Cheers
    Andy

  • Don Walker

    March 5, 2010 at 2:56 pm

    AJA replaced my Kona Lhe Wednesday for a very minor problem, that as it turned was the breakout cables fault, but could have just as easily been my problem. AJA has been STERLING as far as their support. I can easily say it is probably the best in the business! My 2 cents….
    Don Walker

    John 3:16

  • Russell Lasson

    March 8, 2010 at 6:26 am

    AJA Kona. It’s not the only thing that will work with FCP, but it is the best:)

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Matthew Causon

    March 9, 2010 at 6:27 pm

    Hello Rui and Andy

    re the AJA European support, we have dedicated distributors with support engineers and swap out stock in UK, Germany, Italy, France, Benelux & Russia; so support and the 3-5 year advanced replacement warranty is handled effectively here.

    Also there is a direct dealer line to our engineering group, so we like to feel that escalation support is also well covered in Europe and if we’re falling short I’d always like to know!

    OK, I’ll get off my soapbox now;)

    Best regards

    Matty Causon Phosphor

    EMEA Business Management for AJA Video Systems Inc.

  • Andy Mees

    March 9, 2010 at 11:33 pm

    Hey Matty
    Thanks for taking the time to clarify … of course its the Spanish I feel sorry for 😉
    Seriously tho, your willingness to drop in (soapbox and all) as and when appropriate is very much appreciated.
    Best
    Andy

  • Gary Adcock

    March 10, 2010 at 12:06 am

    [Andy Mees] “Thanks for taking the time to clarify … of course its the Spanish I feel sorry for 😉 “

    Andy,

    I know that Matty has a really good person in that he works with in Spain, so do not fret too much.

    let me add that I always enjoy Matty’s commentary here, that he is a very good friend and if you really want to delve into the breadth of his knowledge, talk Audio…

    gary

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows for the Digitally Inclined
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Michael Gissing

    March 10, 2010 at 1:11 am

    I recently did a complete system upgrade – hardware & software. Previously I had a Decklink Pro HD and so this time I did a lot of home work and considered the benefits of all cards against cost.

    Most important to me was good quality up/down/cross conversion, plus dual SDI inputs and outputs, as I feed my HDCam and digi beta simultaneously. I also knew that I had some projects that were going to be RED 4K and the ability to work with 2K files being converted and displayed correctly on a 1920 x 1080 monitor was also very important.

    So in the end the winner was Kona3. It actually did the best job on all those tasks and I also knew it would be only getting better with time as the AJA support and development is also impressive. As for cost, I value my time and the reputation for being able to handle anything at quality with speedy turnaround. So the Kona3 was not expensive given my expectation of many years of profitable trouble free work.

  • Matthew Causon

    March 11, 2010 at 4:37 pm

    Hey no problem sir.

    Spain has had a rough year but I love to go there.

    You coming to NAB?

    Matty

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