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Activity Forums Apple Final Cut Pro Legacy Horizontal distortion during movement

  • Horizontal distortion during movement

    Posted by Chaz Shukat on December 29, 2009 at 3:55 pm

    Hi, I’m log & transferring P2 footage off of a HD into my FCP. The director tells me it was shot DVCPRO HD 1080p24. When it comes into the FCP it shows as DVCPRO HD 1080p30. Why do you think that is? Director is sure it’s 24p.

    I have a feeling this has something to do with the fact that there is horizontal tearing/distortion whenever there is movement in the frame.
    This only appears in the viewer. It plays fine when I watch it in the timeline. What am I doing wrong? And is there any way to transcode it to ProRes 422 while transferring it in without round-tripping it out to Compressor afterwards?

    Thanks so much.

    Chaz Shukat
    Author of “EDITING REALITY”
    http://www.chazmoedit.com

    Chaz Shukat replied 16 years, 4 months ago 3 Members · 3 Replies
  • 3 Replies
  • Neil Sadwelkar

    December 29, 2009 at 4:57 pm

    Its been a while since I did P2, but I believe it always shoots 60i but flags the 24 usable frames which you need to extract with the frame rate converter.

    You need to run the footage through the Frame Rate converter in the Tools menu.

    ———————————–
    Neil Sadwelkar
    neilsadwelkar.blogspot.com
    twitter: fcpguru
    FCP Editor, Edit systems consultant
    Mumbai India

  • Shane Ross

    December 29, 2009 at 8:09 pm

    Unless the camera was set to 1080p 24pA (where you can remove pulldown) the footage will be 29.97.

    Shane

    GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
    Read my blog, Little Frog in High Def

  • Chaz Shukat

    December 29, 2009 at 10:18 pm

    Thanks guys. I dont know if the camera was set to 24pA, I was only told 24p. So I’m guessing that’s why the frame rate conversion didn’t seem to help (unless I did it all wrong which is entirely possible). So what I am doing as a solution is running each clip through Compressor and applying the ProRes422 for interlace. That seems to do the trick. It’s a pain though. Is there an easier solution?

    Chaz Shukat
    Author of “EDITING REALITY”
    http://www.chazmoedit.com

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