-
The Heading for this forum Needs to change…
Sometimes I think this forum should be recalled “FCPX – The Opportunity for Adobe to Exploit”…
Surely its time to simply just call it – Apple FCPX?
Or can we counter-create:
Premiere Pro – FCP7 re-badged or not?
Creative Cloud – Subscription Services suck or not: The Debate😉
PPro is a great bit of NLE kit, however this notion that FCPX is “just a toy” needs to be put to bed.
There’s a lot of people in the professional space here in Australia for example, that are using it in high-end broadcast – including myself.
I have delivered more than 50 shows of National Broadcast content to Three different TV networks here, all using FCPX.
I agree the UI could do with some enhancements and flexibility. A roles mixer would be very helpful.
I also wish you could export consolidated projects with handles on vision for archival for example, rather than having to XML out to something like primaries exporter. Copying projects to new Libraries should have that option – rather than summarily shoving entire source clips out with it…
However the shining beacon of ‘X’ is the managing of media in the digital age we live in, as well as the fluidity of the Magnetic Timeline. We often have to re-cut TV Eps for duration for different networks – and the paradigm that FCPX offers is fantastic for this.
OP1a MXF export support came in the nick of time.
Roles is awesome. With one click of a button, be able to export clean vision (sans-GFX) out for compiles or sans-commentary….so cool.
The Timeline index is fantastic for so, so, many reasons to be able to locate clips, apply effects and transitions on specific index queries is just a terrific timesaver.
I chuckled at the mud-slinging at the 3D Text inclusion with 10.2. Its actually a very sound introduction. Like anything, subtlety is key. A nicely constructed 3D Text layout, doesn’t compare to a ransom-note Rugs-a-Milliion-Warehouse-style shouting TV commercial smothered in GFX EG:
In closing, more and more young cool kids even here in Oz editing high-end Red Bull promos etc are shooting with Reds, Arris, Flex 4Ks…and editing in FCPX. Fact. Happy to show you who they are.
FCPX is definitely NOT for everyone. But to suggest its just gimmickry… is plain stupid.
Even sillier – is the fact we continue to persist with the forum name here.
Dean Neal…