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the Big Noise
Does AUDITION have a formula to minimize microphone wind roar?
If not, has anyone developed a technique to best-guess what portion of the audio is the desired sound and what is wind, then remove the latter with minimal artifacting?
Does AUDITION have a formula to minimize microphone wind roar?
If not, has anyone developed a technique to best-guess what portion of the audio is the desired sound and what is wind, then remove the latter with minimal artifacting?
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