Power Book III: Raising Kanan takes a look back to the 1990s with Cooke S7/i Lenses
The power franchise moves up from S4/i for a larger format prequel production. In the 1990s, almost every DP in New York was using the Cooke Optics S4/i…
The power franchise moves up from S4/i for a larger format prequel production. In the 1990s, almost every DP in New York was using the Cooke Optics S4/i…
Blackmagic Design has today announced that Compartment No. 6 (Hytti nro 6) was amongst the films at this year’s Cannes Film Festival to be graded…
The choice of anamorphic lenses delivered the cinematic aesthetic that was envisioned for the film. Writer-director John Michael McDonagh and cinematographer Larry Smith, ASC, BSC…
The MLB at Field of Dreams Game broadcast, produced by FOX Sports, in collaboration with MLB, was nothing short of a cinematic masterpiece paying homage to the renowned…
THE WHITE LOTUS features incredible voyeuristic-style cinematography that constantly keeps you on edge. Director of photography Ben Kutchins explains his unique visual approach and the…
WHAT: The International Cinematographers Guild (ICG, IATSE Local 600) and ICG Magazine are going live on Instagram (@theicgmag) with Guild Director of Photography Adam Bricker in their ongoing series: Short Take. Hosted by ICG…
New streamlined fiber camera adapter brings a lower cost option to a broader set of content producers seeking a cinematic look and feel to live productions. MultiDyne Video…
Cinematographers Ante Cheng and Matthew Chuang, ACS are a rare team of two DPs, whose collaborative work on Blue Bayou, with director Justin Chon, opens…
Mo-Sys VP Pro 4.27 will release simultaneously with Epic Games’ release of Unreal Engine 4.27. Mo-Sys Engineering (www.mo-sys.com), a world leader in virtual production and image robotics, today announces the…
These rehoused original lenses are the perfect choice for a film about Old Hollywood. With a film featuring a more mature cast, set in the…
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