Pair a British-born songwriter-director who’s collaborated with musicians like Jay-Z with a Romanian cinematographer known for shooting intense dramas, and what kind of movie might…
SUCCESSION season 3 cinematographers Christopher Norr and Patrick Capone join us to discuss the show’s multi-camera handheld-style and natural lighting. Christopher, Patrick, and Go Creative Show host, Ben Consoli, share why they film…
The standard evaluation material designed to test new technology implications on imaging chain are now offered as free download to the industry. The American Society…
David Oyelowo’s film, lensed by Matt Lloyd, finds its own style, ‘due to the choice of lensing and environment’. Cinematographer Matt Lloyd, ASC, CSC, has…
AMERICAN HORROR STORY DOUBLE FEATURE cinematographer Andrew Mitchell had a massive challenge to overcome: how to film two unique stories with distinct looks in a…
Excerpted from the November 2021 Digital Cinema Society eNewsletter. I shared earlier this year in an essay for DCS that I finally decided the time…
“United in our belief that storytelling shakes the world, we dedicate this course to the advancement of young women, girls, and non-binary youth of color…
Discover how FINCH cinematographer Jo Willems ASC SBC overcame the challenges of filming the relationship between Tom Hanks, a dog, and a motion capture robot.…
Sapphire 2022 and Continuum 2022 are now available for Adobe, Avid, & OFX host applications. Boris FX, the leading developer of visual effects plugins, announces…
Now used on over 1,300 productions, new Camera to Cloud update adds support for Aaton Cantar X3 recorders, and Pomfort Livegrade, ZoeLog and Magic ViewFinder…
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