[Yulal Lapira]

still can’t find an answer — trying my luck here one more time 🙂

[Yulal Lapira]

I will deliver 24fps, for the big screen.

My main question is what do I do with the relationship between my 23.976 to 24 footage. Do I need to conform or could I just work with proxies with different frame rates on the same sequence and just render, if my computer gets tired from playbacking different rates?

Also what kind of surprises I might have when I end up exporting my sequences and have some of the 23.976 exported to 24 fps. What should I expect at that stage?

If anybody can help me figure out what it means to edit both 23.976 and 24 on the same timeline, and if I need to give any special treatment to proxies in that regard, please let me know ☺

Pluraleyes is annoying, I can’t agree more. But I don’t really have any other option. Most of my clips were recorded with an external sound device which has no indication to connect with the camera footage (both sometimes don’t have correct time/date data). I need to relay heavily on Plural eyes :/ (which btw is completely crap when it comes to working with proxies.)