William Edwards
Forum Replies Created
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I thought so too, but I have read from multiple posts that the internal monitors do not have the same quality as the internal ones to output a video that’s broadcast safe.
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hmm…because Avid you’d want to import with 709, not RGB. I’m not the person doing the Final Cut conform, and I didn’t know you could do RGB import.
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So I have the Decklink SDI, with my monitor connected via the SDI out. How do I connect an outboard scope to my Resolve system? Out of the monitor, that’s coming out of the computer?
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So for ProRes, should I use the Soft Lut 64-940 with ‘Data Level’ or ‘Full Scale’?
(Now I don’t even know why Normally Scaled is even an option.)
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They are outputting with FCP. Rendering out ProRes clips. I used the ‘Normally Scaled Legal Video’. When they bring in the ProRes files I rendered, there is a luma warning on the clip in Final Cut.
I spoke to someone at Resolve, and they told me that Normally Scaled will output renders in scaled video. So Final Cut is telling me it isn’t. I wish I had an outboard monitor; one cost at a time though, ya know?
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Should have been more clear with Sony-F3, or 700, the like.
It’s just a little confusing with legal broadcast range and full data. Should I be outputting for people legal broadcast outputs when they are going to bring that into Final Cut, put their graphics and conform, and output? Or should I send them full data range?
I don’t know how the output for Final Cut works exactly, and wondering your experience with that.
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Thanks for this Michael.
I did some tests myself. AMA’ing the subclips just doesn’t seem to work for Symphony 6.0, when it comes to relinking. I will look into using some of your methods there. And yes, I do have QTChange. The files are Mark 3 so they have TC, but changing the tape/reel name would help a lot too.
Thanks again.
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I’ve tried testing it, but I still haven’t been able to figure out the last step to up-rez my DNX36 to DNX175. How is this done?
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I would export out of Davinci the full 1920×1080. Then create a letterboxed or center-cut version in another software application.
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That’s what I thought originally!!!
The canon footage has TC already. Is it a problem though if I didn’t put reel ID on it?