Will Griffith
Forum Replies Created
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KiPRO = 3,995 according to StudioDaily Twitter post.
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Not sure, but if I had a Red One and wanted FAST dailies I would
be all over that Ki Pro. -
Nice. That wold turn a EX3 into a f900… well almost.
Like the itty-bitty baby IO as well. That is pretty cool
as well. -
Yes Rachel, that is normal. The A1 only communicates at the 400mbs firewire anyway.
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Hmmmm…
I don’t have the camera in front of me, but can’t you “Play All” off the
camera via SDI to your Kona with “TV Display” set to “On” for the SDI
output?That way you have correct timecode and can even downconvert and
save as an easy to encode QT file?Not sure if that helps any.
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Must be the EX1 firmware.
With he EX3 I just did a test with easy setup of “AJA IoHD: 1080psf 23.98 Apple ProRes 422” and it captures and displays non-interlaced material.
In the IoHD Control Panel the input is lit up as 1080psf as well.
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There are several reasons to want 24p, no sure if it is required in his case.
Anyway… this is strange for sure. We used to live capture a XL-H1 all the time
and remove the pulldown in After Effects by letting it “guess”. Always worked.I’ll do a test sometime and see if it works here.
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After months of worry free operation our IO-HD had a few issues two weeks ago.
AJA immediately overnighted a replacement before our project was due.AJA support was great, as it was when we had an IO, Kona, and Kona LH.
I can’t praise them enough and the way they stand by their products.
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Thanks man. We bought it for the DV tape recognition, which worked really well, BTW.
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Can you explain your current use of CatDV? We have it, but
have never implemented it since we got FCS.