[Wesley Harrison]

Thanks Bruce,

I guess this is where I should understand audio terminology better. I’m just learning all the different aspects of audio, but the concerts I’m thinking of are high volume, amplified rock concerts and I most likely would be recoding FOH. But live concerts would only be about 25% of my projects.

This is gonna be a one time buy and serve me for probably 5 years until I can get a secondary mic.

[Wesley Harrison]

Thanks so much guys. Really useful info to go off of. The thought of the hypercardioid mic is pretty interesting. Bruce, you said the hypercardioid would work well indoors and outdoors, does that apply to live concerts where it’s pretty loud?

The majority of my work should be indoors, so the better quality of the hyper cardioid intrigues me, but I just want to make sure I’ll have a mic that can assist me in most situations (until I can afford more that is).