I concede a card and monitor and new computer to put the card in would allow me to see my problem before the playout stage. This job being a very low budget independent documentary I have taken short cuts. I have checked the field of every shot individually to try and compensate.
The problem remains however that it was shot HDV, digitised HDV and edited HDV (the field shift filters were applied to the DV file material automatically as FCP6 does) and exported as a HDV quicktime movie for playout. Yet some of the material (not just DV and AVI) seem to have dominance issues. Is there possibly another reason for this? Perhaps a dodgy render file?
I would hate for this to remain a mystery.
Wayne
Love Communications