[Vijay Ram]

I am facing the same issue with Audio EDLs for a feature film that I am delivering to my post sound team. The AAF export transferred to Pro Tools perfectly, but my sound guys are insisting on EDLs so they can link to the original source wavs in the interest of retaining all the metadata originally created by the DEVA recorder. The EDLs I’m exporting out of Premiere 8.1 are not recreating the edit correctly when ingested into Pro Tools. This is really unfortunate as you expect such elementary things to be in place. Either I have to find a workaround via FCPX or Premiere or my sound guys will have to manually resync at their end after ingesting the EDL I’m giving them. And not to mention the brickbats I’m getting from them for switching from Avid to Premiere for this project.