“Why does your sound guy have any input into what your editor is doing or using?”
Well, we want to tread carefully since this is a film project involving 24 fps to 25 fps (we’re PAL) back and forth.
“There are many ways to get sound files into FCP with timecode”
Of these many ways, what would you recommend? I’m only aware of BWF2XML, XML Pro and Sebsky Tools.