Hi April,
Interesting that you presume the shooter does the listening. Over here where I am, the shooter shoots and usually would rather not have to concentrate on both picture and sound. Shooter and sound person work together as a team. There’s more than enough detail to keep each person busy. On some shoots, the director has his/her own feed as well.
Of the many audio problem posts I answer, the most frequent problem is that no one was listening continually. People don’t shoot without looking through the viewfinder. Typically one blows a gig because of bad audio and learns from it to never neglect the audio in the future. Hopefully, this will be your/their reality check.
BTW, the second most often asked question is what one mic can one buy to do everything. The answer is you can’t expecct one mic to do everything.
The third most often asked question is which shotgun to buy for interior shots. The answer is — trick questions!!– NO shotgun should be used inside unless you are inside on a shooting stage. A hypercardioid is a much better choice.
Regards,
Ty Ford
Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. Find out more at https://www.tyford.com