Ty Ford
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54
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Sometimes, just out of frame, the crew will build a wind block.
Regards,
Ty Ford
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Hello Ray and welcome to the Cow Audio Forum,
Thanks for that,
Doesn’t premiere have a noise reduction plug in? I don’t use it, so I don’t know, but I thought it did.
Is it just “gain noise” or too much ambient noise and echo? Noise reduction software won’t help you there.
Try iZotope’s RX and see if that helps:
https://www.izotope.com/products/audio/rx/
You may have to reshoot if it’s just ambience and echo.
Regards,
Ty Ford
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Joe,
SHAMEFUL!!!! A manufacturer that doesn’t explain what the features are for loses the advantage to explain why the piece in question is worth the money.
The only thing worse is getting documentation that’s poorly translated, leaving the reader stranded.
Fortunately Will Salley’s savvy came to the rescue.
Regards,
Ty Ford
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Um, what does the manual say? 🙂
Regards,
Ty
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Hello Joe,
40 Hz to 15kHz is wider than 80 Hz to 13 kHz, so, on the face of it, you hear more lows and more highs.
There may be a better word to use than “clip.” That word connotes some sort of destructive termination, at least to me.
Normally, a wider frequency response, also sometimes referred to as bandwidth, is a good thing. But frequency response specs alone can be deceptive. There are normally tolerances shown in specs like +/-. If one set of specs has wider +/- figures, that indicates that, for example, 15 kHz with a +/- 5 dB figure, then that means the 15 kHz may be raised or lowered by 5 dB. That’s pretty significant.
Also, a poorly engineered system, may show better frequency response but may not sound as good due to other compromises in the circuitry.
What I’m saying is that specs rarely tell the whole story and are frequently manipulated by the marketing dept. for best advantage. OTOH, there are companies that under report.
Regards,
Ty Ford
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Hello Joe and welcome to the Cow Audio Forum
I think you are on the right track, but there’s not way to know how good the sound will be until you try those mics, in that theater, on that stage, with those performers.
Try to get there for the rehearsals to see if how well your plan works.
Regards,
Ty Ford
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Raymond,
It means there are three different frequency blocks made. I don’t think C is usable in the US. You need to decide which block is safer for the locations you want t work. Sennheiser has a chart to help with that on their site.
Regards,
Ty Ford
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Hello Raymond and welcome to the Cow Audio Forum,
In addition to Rodney’s helpful comments, I’ll add this. When we wrap and I see anyone beginning to mess with my lavs, I step up quickly to show some urgency and say, “Here, let me help you with that. I’d hate to have you break one. You wouldn’t think it, but they cost $400.”
Regards,
Ty Ford
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Hello Clint and welcome to the Cow Audio Forum,
Better answers may be found in the Digi DUC Digidesign Users Conference.
https://www.digidesign.com/index.cfm?navid=75&langid=100&itemid=5071Regards,
Ty
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Hello Joe,
Sorry, I don’t.
Yes the 48 KHz issue is what I was talking about.
Regards,
Ty Ford
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