[Toni Tillmann]

Hey Buddy,

Thanks for your help.

Actually I found a workaround that seems to work quite allright.

Your workflow is allright to but you have the problem that you can never exactly get the perfect grade from one clip to the next as you can’t see the clips until the end.

That’s how I handled it:
I used the project manager to copy all footage to an external drive. I then imported all media into resolve with one timeline for each resolution.

I then put all my clips into the timeline and roughly adjusted ISO and white and chose sgamut3.

Then I batch exported all clips to individual ProRed 4444 clips.

I opened the premiere project which was created by the project manager which only contains the required media.

I offlined all media and relinked everything with the now flat clips.
Within Premiere I adjusted the R3D raw settings and switched them to REDlogFilm.

Now I exported a flattened prores4444 to resolve and did the grading.
Worked just fine.

One thing that made me wonder is that even tho I went from RAW to PR4444 we had a couple of clips with banding artifacts in skies. We replaced those clips manually with a raw clip in Resolve.

Hope that helps.

Cheers

[Toni Tillmann]

Hi Helge,

thanks for your quick reply.

First of all I double checked my project and tried to make sense of the file type issue. I found out that ONLY my subclips of the Alexa footage / mov clips are missing. All subclips referenced to a C300 file /MXF and GoPro/MP4 are still there. I can also see the .XMP files you are talking about.

That makes me wonder as I’ve heard that stored subclips liked to .mov inside the clips. And they are all gone…

thanks for your help.
cheers
Toni