Forum Replies Created

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  • Timothy Auld

    July 15, 2011 at 1:07 pm in reply to: apple reinvents the pen and cave painting!

    I have an ipad and it’s fun and handy for some things, but does not increase my productivity one bit.
    And there is most certainly no way I could edit and deliver the kinds of projects on which I work with
    an ipad. I am all for things being easier and faster, but in my world I cannot deliver what I need to
    with FCP X. And so I will take your original advice and not use it. Who knows? In a few years it might
    be all the rage. I am not against learning new things. In fact one of the things that appeals to me
    about editing is you are constantly being forced to solve new problems in different ways. After years
    of working on Avid, I bought and learned FCP because I saw a lot of work going there. I don’t see that
    happening with FCP X anytime soon.

    bigpine

  • Timothy Auld

    July 15, 2011 at 12:07 pm in reply to: apple reinvents the pen and cave painting!

    And my point is, in all the various incarnations of writing instruments over the course of history, how one
    operates those instruments has not changed. The tip was not moved to the side, nor has there been a limitation of the types of media on which you can write.

    bigpine

  • Timothy Auld

    July 15, 2011 at 11:11 am in reply to: apple reinvents the pen and cave painting!

    Ball point pens work in essentially the same manner that feather quill pens did. Or charcoal on
    a cave wall, for that matter.

    bigpine

  • Timothy Auld

    July 11, 2011 at 9:35 pm in reply to: Where was Apple in 1999?

    Wasn’t really talking about that. How close was Apple to being the most wealthy company in the world
    in 1999? How much do they owe to what they are now to Final Cut Pro?

    bigpine

  • Timothy Auld

    July 11, 2011 at 8:38 pm in reply to: Where was Apple in 1999?

    By the way, Apple’s stock price in late 1999 was in between $65-70. By the beginning of 2000 it was
    close to $100.

    bigpine

  • Timothy Auld

    July 11, 2011 at 8:31 pm in reply to: Where was Apple in 1999?

    OK, semantics. What drove the sale of G3s and G4’s? The point is where was Apple as a company in 1999,
    and how much does Apple owe to FCP to it’s current market position? They paid a lot of money to have a huge Apple logo at the end of LOTR. Who was buying Apple computers in 1999?

    bigpine

  • Timothy Auld

    July 8, 2011 at 6:42 pm in reply to: Who was The Target For FCP X?

    Absolutely true. A good editor can tell a story using all manner of software packages. Using
    one system rather than another does not make anyone any more “pro” than anyone else. In fact, most
    editors I know work on more than one platform and NLE. The trick is, can you make them all do
    what you need to to artfully create the piece on which you are working. If you can do that, you generally get paid. When the check clears, you are a professional.

    bigpine

  • Timothy Auld

    July 6, 2011 at 2:36 pm in reply to: John Siracusa on FCPX

    I have yet to run in to a facility or broadcast setup where the Avid’s were not PC based. Also, I’m pretty
    sure Pixar does not make its movies using MacPros. But I guess those places aren’t creative enough either.

    bigpine

  • Timothy Auld

    July 1, 2011 at 12:30 pm in reply to: Platform shift?

    The vast majority of Avid systems I encounter at post facilities and broadcast operations are PC based.

    bigpine

  • Timothy Auld

    July 1, 2011 at 12:23 pm in reply to: What I plan On Doing and After A week my Take…

    At the risk of being accused of being deluded to the point of derangement (and it wouldn’t be the first time) I have to say that my sole loyalty to the Mac platform has been based on FCP. I run FCP 7, CS5 and
    Avid on MacPro based systems. When the time comes to purchase new computers in the next few years, I will likely be looking at that other platform.

    bigpine

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