Did the following test:
– edit a clip in FCPX
export XML of the edit
import in DaVinci
– color match it in DaVinci
output it from DaVinci in PorResHQ
– take the color matched clip from DaVinci and put it into FCPX for final composition (title plus adding sound line that went through ProTools)
– export the color matched ProResHQ with the composition from FCPX
go back to DaVinci:
put the original output from DaVinci on top – line 3
put the output from the final FCPX-compositon underneath – line 2
have your edit in DaVinci under (color matched but not outputted) – line 1
go to color in Davinci
put the cursor on a image with nice contrast
switch between line 2 and 3 and check on the video scopes
If broadcast save was on (0-100%) during color matching you will have a slight compression at the peak between line 1 and the rest. But otherwise the clip from DaVinci line 2 – that went through FCPX for final composition – is just the same as the original DaVinci output line 3 !
The washing out of video clips inside FCPX and with Quicktime (that is underneath FCP) is a Problem of Quicktime.
For whatever reason Apple has descided to make our videos brighter and the blacks washed out.
If you go to the FCPX-Forum you get just funny answers like: “You stupid don’t understand our new editing approach …”
The developer of FCPX and the world around it, influenced by Apple, tries to force us to edit how they think we should edit. Discussing problems with them – on my experience – doesn’t have an effect. I desperately wait for a proper Linux solution. DaVinci seams to be on it’s way.
Use for playing videos never Quicktime! Use VLC or other!
zazu-Berlin Filmproduktion und Werbeagentur