[Thomas Casque]

Okay great – I’m well on my way now.

THANKS A WHOLE LOT for the quick and competent help !

Kind regards – t

[Thomas Casque]

Okay great – I’m on my way !

THANKS A WHOLE LOT for the quick and competent help !

Kind regards from Berlin – t

[Thomas Casque]

The projectionist said 24p or 50i is what is possible.

Since I don’t have the time to have the 5.1 sound changed to 24 fps professionally, I thought I would go with the interlaced option.

But 25i ? I thought 25p equals 50i – since two half-images per frame ?!?

I had originally planned to do the interlacing just like you described now. So last question: Do you think fcp will do just as well with the interlacing as the adobe media encoder ? The adobe environment looks much more promising… but maybe that is just because of the ancient finalcut7 interface 😉

[Thomas Casque]

Great – thanks for the speedy reply Mark !

You are right I have the media encoder from adobe – but I never looked into it before – looks like a neat little program 🙂

So I will give out a prores 4444 from FCP and import it into adobe media encoder. Kind of done…

But another thing is, that I need to interlace my 25p project. Looks kind of simple at the first glance. Just hit interlaced and select upper or lower field order…

Noobie question: How was that again with the field order and interlaced material… lower field for PAL and upper field for NTSC – or is this kind of irrelevant for Blu-Rays?