Ok, well after some research and studying I can finally wrap my head around the issue. And yes, Mr. Dave LaRonde is correct. But let me explain the camera a bit more. What threw me off is that I thought I had recorded in 30p but the camera reset to a scene file with the progressive off, so I indeed recorded in interlaced. Since you indeed recorded in 24P, its a hybrid ghetto 24P that’s unfortunately interlaced and the best thing I know to do is throw the de-interlacing filter in final cut pro on it which isn’t awful but not cool to say the least when you’re looking for high quality. The DVX100 is only a mid level/prosumer camera, for the price it packs a punch, but it can’t do everything, it’s also getting dated a bit. Anyways, the only setting for progressive on the DVX100 that will actually turn out looking progressive in the edit down is 30P. If you wanted to telecine it down to 24 from there that’s the best you’d get. If this was all gibberish my apologies. I at least feel accomplished to have learned something useful. Best of luck to you and your projects. Take it easy.
– Thaddeus –