[Terence Tay]

Thanks Andrew.

Your reply is clear and easy to understand.

I am currently on Hijack pro and PPM.

Did you remember the thread which an ex-BBC audio enginner says that as long as we keep the dialogue levels between 4-6 PPM (i’m hovering it around 5), we are safe? He also mentioned that those who studied the broadcast audio chain will understand that PPMs are calculated on a different level than dbFS and he has seen transient peaks at -6dbfs or higher.

I’m keeping within the good range of 4-6 PPM, never hitting 6 at all, but my dBFS and True Peak sometimes goes to -8, which according to this ex-BBC audio engineer, is perfectly fine.

I’m so tempted to run the audio one time through Soundtrack Pro to keep it to -10dbFS, just in case.

Any comments on the above?