Forum Replies Created

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  • Sunderland Green

    February 22, 2017 at 5:06 am in reply to: MKV Rewrap for use in FCPX

    If the Apple Prores files is too large, you can transcode the MKV files to Apple Prores 422 Proxy or Apple Prores 422 (LT) format with small resolution for great playback performance in Final Cut Pro X.

  • Sunderland Green

    February 9, 2017 at 7:57 am in reply to: Using FCP7 to edit 4K

    Make sure that your Mac computer meet the minimum requirements to edit 4K video.

  • Very informative information.

  • Sunderland Green

    February 4, 2017 at 7:32 am in reply to: Best format for eding video using only text

    Very appreciate for your sharing!

  • Sunderland Green

    February 4, 2017 at 7:30 am in reply to: I made a cat video with FCP X…

    Very amazing!

  • Sunderland Green

    December 14, 2016 at 9:22 am in reply to: Editing 4K MXF Files in Final Cut Pro 7

    Following are the requirements to edit 4K with FCP
    The following Mac computers are capable of viewing 4K resolution via HDMI from Final Cut Pro X 10.1.
    Mac Pro (Late 2013)
    MacBook Pro (Retina, Late 2013 and later)
    The supported 4K resolutions are as follows. Note that not every 4K monitor will support both of these resolutions, and 4096 x 2160 is only supported via HDMI at 24fps.
    4096 x 2160
    3840 x 2160

  • Sunderland Green

    November 16, 2016 at 9:37 am in reply to: Preimere Pro Workflow

    H.264 has the following disadvantages when using as an editing format:
    1. H.264 is mathematically intense. It takes some serious computer horsepower to decode its compression.
    2. Because it is so mathematically challenging, it takes longer to render H.264 files than other formats.
    3. As H.264 is an 8-bit format shot by HDSLR, which means you are potentially compromising your effects and especially color correction and composing gradients.
    4. H.264 does not integrate easily with other video formats.
    Therefore, it would be ideal for you to choose Premiere Pro natively optimized MPEG-2 file format.

  • Sunderland Green

    August 24, 2016 at 9:12 am in reply to: Working with Sony’s XAVC Long in Premier Pro

    Which version of Adobe Premiere Pro do you use, and the new version 8.2.0 of Adobe Premiere Pro CC natively supports to decode XAVC Long GOP HD 4:2:2 10 bits.

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