[Stu Hunt]

Crazy, right? I enabled it a year ago and haven’t had any stability issues. However I discovered that you have to export in Premiere, as the Timewarp effect doesn’t get sent over to Media Encoder.

To see the hidden options, press CMD + F12 on Mac or Ctrl + F12 on PC.
When the console window opens, click the dropdown box in the top right corner and select “Debug Database View”.

The list of options will be there, including Timewarp.

I originally heard about this from this post: https://www.digitalrebellion.com/blog/posts/5_hidden_features_in_adobe_premiere_cs6.html

[Stu Hunt]

I’ve also done this in premiere in the same general way: you have to enable time warp via the hidden/experimental features hack. Then create a nested comp with 2 clips, each consisting of 2 frames of your cut points as mentioned above. Then time warp the nested clip to get the same morphing effect. Worked nearly seamlessly for me, and there was actually “half a head’s worth” of movement between cuts. Motion blur helps too.

[Stu Hunt]

As mentioned in another thread, I often have to create two target layers to make SureTarget work correctly…but sometimes not. I have never found the rhyme or reason for the difference, but give that a shot.

[Stu Hunt]

I had a similar issue and discovered that the brush freezes according to the work area in the comp. Took me awhile to figure this out, since the work area doesn’t usually do that much for me, unless I’m about to trim comp to work area.

Hope this helps somebody else…