[Bryan R] “excessive wear and tear on these master HDCAM tapes jogging back and forth”
Don’t even give that a thought. Sony selected 1/2″ tape for HDCAM because they are tough enough to take it. Back when we edited tape to tape, in the previous century, we would shuttle those tapes for hours at a time. In fact, if you look into the specs on tape decks, you shouldn’t leave VHS in pause for more tham 8 minutes, for HDCAM, it’s something like 23 hours. Something that a lot of people don’t know is that you should never load or eject a tape that isn’t wound to one end or the other because that is when they get scratched.
In the field, our shot logger grabs TC on “action”, not “roll camera”. Then, she grabs TC at “cut”, knowing that we roll tape for three more seconds. Then, in post, we enter TC from the sheet or an electronic tape log.
Those tapes and tape heads can take it. That’s why the decks and tapes cost so much. That and the fact that they know that they have us over a barrel and can stick it to us. It’s funny how BetaSP was $1 a minute until we didn’t need it anymore. Now, we can buy BetaSP 30s or $9. Just like our F-900s that cost $102K until they had competition.
Steve Wargo
Tempe, Arizona
It’s a dry heat!
Sony HDCAM F-900 & HDW-2000/1 deck
5 Final Cut Pro systems
Sony HVR-M25 HDV deck