Forum Replies Created

Page 44 of 366
  • Steve Eisen

    August 4, 2012 at 3:04 am in reply to: Need a recommendation for a ENG camera under $2,000

    You are asking a lot for not a lot of money. If you are using your camera to make money, you need to make an investment. Spend $3500-$5000. There is a lot to offer in that price range. The Panasonic AG-AC130a and 160a offer the best bang for the buck with the best warrantee in the industry. In order to make these cameras shoulder mountable, you will need a device such as the DV Multirig. https://www.dvtec.tv/id33.html

    Your only alternative is JVC HMC600 or 700 series.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    August 3, 2012 at 12:56 pm in reply to: Mounting Points on HPX500

    For microphone, I have a bracket that attaches to the side of the Anton Bauer Battery plate.
    I use an 11″ arm attached to the 1/4″ screw at the top rear of the camera for monitor. I also use a short or long arm in the front for my led light on camera light.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    July 30, 2012 at 6:17 pm in reply to: Best video file for FTP and final delivery

    [Greg Ball] “I prefer to edit in pro res. But I’m concerned that the videos will be too large in file size to upload to our translator’s ftp site. Each video (there are 8 of them) will be about 3 minutes in length.”

    If the translator/subtitler are experienced, this job should be very simple. 3 minute videos take up very little space.

    Check out capsubservices.com

    Ask the company doing this for you.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    July 30, 2012 at 6:10 pm in reply to: Compressor woes: workflow efficiency and quality

    Keep it simple. Export a Self-Contaned QuickTime Movie. Drop that file into Compressor and choose and modify your Compressor setting to meet the broadcasters requirements.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    July 26, 2012 at 2:45 pm in reply to: title safe still necessary

    Tile safe is absolutely necessary. Not all TV/Monitors are alike.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Convert the files to ProRes in compressor or MpegStreamclip before you put them in the FCP timeline.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    July 25, 2012 at 4:15 pm in reply to: AJA io/xt Premiere Pro broadcast monitor need

    Dreamcolor does not have HD-SDI

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Steve Eisen

    July 25, 2012 at 4:10 pm in reply to: Should I convert my H.264 files to AppleProRes?

    1920×1080

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • I have no clue. The colleague should have taken advantage of the Liquid to Media Composer upgrade. If they purchased before 3-10-10, I believe they are still eligible.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

  • Matrox Compress HD PCIe card or Matrox i/o box with Maxx Option. The other solution is Elgato’s Turbo .264 HD.

    Not much you can do as far as wmv accelerators. Episode Pro and Squeeze are the best solutions.

    Steve Eisen
    Eisen Video Productions
    Vice President
    Chicago Creative Pro Users Group

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