[Bill Davis] “And in that same spirit, any shakey clip that needs to be stabilized in my current program – would just need to potentially be stabilized again for the intro, flashback or part two of a series if they showed up there – so rather than thinking “in the timeline” I’d likely prefer to correct it once upstream on the source and then it’s done for all global uses.
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If you’ve got a 15 camera shoot of a 90 minute performance, then there is no way you are going to go through each camera and find out which shots might need stabilising should you decide to use it in the edit.