Ok, so if I work in PAL I’ll keep the frame size and just use the interframe codec DVCPRO HD that is 100 mbits per second and offers a very good quality for that bitrate. Just a question, why would you not use the Apple PRORES 4:2:2 codecs? Everyone talks wonders about these codecs! Is it because your capture card, or maybe this DVCPRO HD is just better for a lower bitrate…
Thanks, I will defently give DVCPRO HD a try!
Thanks for your help again