So Jesse,
From your experience the process I’ve described would work? Shoot on the 200 using the P2 cards, once one or both cards are filled, take them to my Pismo (running 9.2) and transfer their contents to an external firewire drive. Once the transfer is complete put the card(s) back into the camera, erase them and shoot more. Repeat transfer process until done for day. Take external HD to edit station and import days material.
If this workflow is possible I could see many people jumping to the 200 for low-cost HD production given that we could use existing laptops for temp field storage. Heck, I’d even use the external HD as my archive system… 120 Gig HD to store a show’s “camera masters” would put all material on a “near-line” storage status.
Am I hoping for too much?
Stan