Sheila Hayman
Forum Replies Created
-
No it’s the same ProRes rushes I always work with.
I have discovered I can make it work by using the text tab under the Effects menu – just not the one under the viewer window, Why? Who knows. FCP bug maybe. At least I have found a way to get the captions in. Thanks for your help. -
So – I’ve managed to download and apply preferences manager, emptied trash – problem is still the same. No matter which project I open, the captions come up with a green line over them , so I render them, and there’s nothing there.
This is a severely disabling issue so I would really appreciate any help from any quarter! THanks
XS
-
Hello Nick
Unfortunately my computer won’t accept the ‘preference manager’ software – it says it’s not from an Apple registered developer. I am completely baffled by this happening and a bit distraught, because I really need to add these captions as a matter of urgency. Can you possibly guide me how to ‘trash my preferences’ without this software? REally sorry to bother you but would be so grateful for any help.
Thanks!xS
-
Thank you both! Will do. XS
-
Sheila Hayman
August 6, 2015 at 8:38 am in reply to: why do the clips on one card of my rushes load into the timeline in reverse order?Only because I’ve taken a fixed-price job with no deadline in order to teach myself to edit better. You can have time if you don’t mind having no money. When I started directing documentaries, I’d go out with a camera operator and assistant, sound operator and often assistant, PA and myself. These days, it seems to be a choice of doing it myself or not doing it. I don’t want to stop!
XS
-
Sheila Hayman
August 5, 2015 at 9:06 am in reply to: why do the clips on one card of my rushes load into the timeline in reverse order?Thanks Dave – the image of working at that speed is boggling to me in my current state but I am sure that many of the editors I’ve worked with over the past 35 years would have used it!
XS
-
Sheila Hayman
August 4, 2015 at 8:14 am in reply to: why do the clips on one card of my rushes load into the timeline in reverse order?Thank you – I will try to find the relevant menu or button but why that should even be an option is beyond me…
XS
-
Sheila Hayman
June 9, 2015 at 10:30 am in reply to: Problems transcoding from PMW200 to Final Cut via Bigasoft ProResHello again
I now have the XDCam log and transfer plug in (which I already had in fact and is clearly what I need) and also the XDCam Browser, which I’m not sure I need as it seems to be a way of viewing and organising. However, there is still one last hurdle, which is that when I import XDCam files into Final Cut (they do play and they do have their timne of day code still, which is great) I can’t work out how to import them into the appropriate bit of the project – I just end up with a mass of clips not in any bin which I then have laboriously to move one by one into the right place. I’m sure there’s a really simple setting or other step I need to take but can’t figure it out.
At the risk of totally exhausting your patience – any ideas?
So very grateful – I think I’m nearly there!
XS
-
Sheila Hayman
June 9, 2015 at 9:26 am in reply to: Problems transcoding from PMW200 to Final Cut via Bigasoft ProResHave done – thanks! I already have XDCam TRansfer but will check out Browser too.
Really grateful. Thanks
XS
-
Sheila Hayman
June 8, 2015 at 4:18 pm in reply to: Problems transcoding from PMW200 to Final Cut via Bigasoft ProResThank you – I do have something called XDCam Transfer but I haven’t been using it because I can’t work out how to output to Apple ProRes 422LT.mov codec, which is apparently what I need.
Meanwhile I can view my rushes in FCP with the original time of day timecode, even on the transcoded files which is good, and obviously I’d like therefore to keep that timecode for when I start to edit.
I have now emailed Sony support in the hope they may be able to help too.If you have the patience to help further re the Sony plugin that would be wonderful.
Sorry to be so hopeless.