Shaheryar Ahmed
Forum Replies Created
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Well I just read an article where it says that the baseline is actually 1 GB per core. So 2GB per core is better. So I guess I am in the clear.
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I will update the RAM later in the near future. Is it okay to run a hex core with 12GB RAM? That is 2GB per core. I read somewhere (dont remember exactly where) that 2GB per core is the baseline. Like it shouldnt be below that. Is it true?
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Thanks for the reply. Ok. When I import the clips in Avid Media Composer 6 I transcode them to DNxHD and I guess that is a REC 709 color space. it shows something like Yrcb 709. When I lock my picture, I take my aaf to after effects with automatic duck pro. It gives me a pre comp in after effects (btw i have cs5) and i use that. I change the bit depth to 16 bit and change the color management to hdtv Rec 709 (16-235). But it doesnt matter which color management settings i choose. i did apple rgb and the artifacts showed up. I did the srgb and the artifacts showed up. I chose 32 bit and the artifacts show up. Its not about exporting they are showing up in after effects. I export using the working color management with perserve rgb checked. I export it as a 16 bit Tiff sequence with trillions of colors. This is because I take these stills to Davinci Resovle lite. But the artifacts are really troubling me and yes they show up in the tiffs. What to do?
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Hmmm… Thanks.. You are on the money with AMA link and then transcode. I just tested that and it is better. Even at Avid forums they say this is a better workflow. Now how to take the sequence from Avid to After Effects CS5 for compositing and then take the composited comp to Davinci Resolve Lite for grading and bring it back in Avid.
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I find it a little faster and hassle free with Streamclip. That is all… I guess the camera format should not be the problem cause we are dealing with dnxhd throughout our post production. Is that not right? Is it better to link files through ama and then transcode?