Forum Replies Created

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  • Sedesign

    November 1, 2005 at 4:56 am in reply to: BROADCAST CODEC?

    well ultimately we deliver the broadcast using an Mpeg2 stream. However, This process takes place inside the streambox, and i believe can be bypassed, which whereinlies my concern. I know that DV/NTSC is a very high compression scheme with lots of data loss. This scheme is reversed when captured into FCP (depending on what codec is set) in this situation its DV/NTSC which is the same as the tape therefore i dont think there is much happening there…

  • YES, very excellent training indeed! Secrets a plenty. I must say i could never be so generous with my bag o tricks.

  • Sedesign

    October 29, 2005 at 8:58 am in reply to: Interlacing question

    computers scan progressive whilst TV’s are always NTSC. My guess is since your media is progressive (non-interlaced) would be you might want to check to see if you mixed up your original comps frame rate with your playback framerate. This can happen from a number of things. But that would be one of my first guesses.

  • Sedesign

    October 18, 2005 at 9:58 pm in reply to: FCP SERIAL PROB!

    thank you. that works, however the serials i have are retail and wont work. its only working with the update serial number

    .LAME.

  • Sedesign

    October 18, 2005 at 8:59 pm in reply to: FCP questions

    nesting is VERY powerful with compositing, I use it everyday in AE. Helps keep the redering down, and allows me to keep everything separate nicely. Also with FCP easy, there are tabs in the filters that you can click+drag and drop onto other clips in the seq. If the particular filter you are dealing with doesnt provide that then just save the settings as a preset and load them into the other clips down the line.

    .LAME.

  • Sedesign

    October 18, 2005 at 5:07 pm in reply to: FCP questions

    no need to drag your sequence into you bin window (browser?) i think is what i you meant. It your edited seq will already be there. the rest you have correct. Drag and drop your edited sequences into another seq or in your case the original seq. Then there you have it. It work out great. I mainly use it for compositing but works well with whatever….

    .LAME.

  • Sedesign

    October 18, 2005 at 3:47 pm in reply to: FCP SERIAL PROB!

    thank you! I thought there was a way to do that for other programs, so i thought there might have been a chance for FCP as well

    .LAME.

  • Sedesign

    October 18, 2005 at 3:00 pm in reply to: 2 questions from an After Effects learner

    yes. when exporting from AE to a SWF file it ignores things like cameras, lights, 3D effects / layers etc… I must have been confused when i read your post. I had (what i thought) a similar problem a while back where i needed some fancy graphics for a site i was making and i am NOT a flash programmer however i am an AE user. So my solution was squeeze.

    .LAME.

  • Sedesign

    October 18, 2005 at 3:26 am in reply to: FCP questions

    edl = edit decision list. for offline editing. capturing and editing video at a lower resolution (for speed) Edit, create cuts. These are stamped as an EDL. Then later delete your low res media, create your EDL. The EDL then interacts with the high res video later on ….

    .LAME.

  • Sedesign

    October 18, 2005 at 3:03 am in reply to: FCP questions

    nesting is when you drop other sequences or comps into another sequence or comp as if they were another layer. This is helpful when you need to keep your comps separate from one another. Great in AE.

    .LAME.

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