Sebastian Ballek
Forum Replies Created
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Thats what I mean. I sayd overlight (not overexposure) so the greenscreen is for example in a f5,6 and the the subject is in in a f16 if you spotmeter them. And you shoot the camera with a f5,6. The green cast caused by the greenscreen should not go spill all over the white shirt now. Otherwise, it should not exist green cast over the subject.
¿I am still wrong?
(My english is not the best, its hard to express myself)Cheers
Sebastian Ballek -
Got it. White is always easly colored by color lights or colored reflections, but you should have any problems if you lighten him with a little bit of magenta and overlight the greenscreen (So he the subject is under exposure)
¿Wrong?
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Yep, the audio is rather negligible in the exta weight and size but I upload this images with PPro to work this them in After Effects.
Thanks a lot for the solutions, very heplpfull!
Sebastian Ballek
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This thread is interesting. A friend replaced the head of a dancer with drawing. I don´t know if the dancer had multiple trackpoints on his head, but I he had just a colored green jockey or something.
https://www.smog.tv/ It`s the one called “Mono” in the bottom-right.
“And definitely don’t underexpose the subject. You want the whites to be significantly brighter than the green background – which will help separate them when you’re keying.”
Why should it be more dificult to separate a darker subject from a green screen?
Is it better to underexposure the subject in post? Why?cheers
Seb -
Never thougt about this, I always use Gaussian Blur as a standart and Lens Blur to simulate deph of field, blured lights or flares.
Im very interest too if that helps to recive an awnser from someone who knows about different blurs.
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Yeah, I use bezier handles a lot too, it would be imposible to rotoscope without them.
I had just the ilusion to become a miraculous response about it, but you are right, if there were such a technique, it would be all over the place.
Maybe each of us should send a mail to adobe expecting that they create this tool in the next AE version. (Or an aditional rotoscoping plug-in)
😀
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The shinning out efect is a plug-in called “Trapcode Shine”
Take a look here: https://www.trapcode.com/products_shine.html -
I think it isn’t a good strategy to use the slowest computer if you are charging the render to your client costs. The client wants a fast cheap work, if you give him what he wants he will return and you will earn more money. In time you will earn more money that if you take charge of a long rener time in one project.
Just my point of view.
Cheers