Scott Clements
20
After Effects Coins
24
COW Coins
3
Premiere Pro Coins
Forum Replies Created
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Thanks, Bill! So, I don’t have to do a “clean install”? I’m not quite sure what you mean by “downloading the full version”. Is this opposed to an update? If so, where do I find this? I’m having a look, but all I see are updates.
Film Editor, London UK
http://www.scottclementseditor.com -
Thanks for letting me know, Graham, but this has been going on for about 3 years with many different versions of OSX and Media Composer. So, I’m sure that doesn’t have anything to do with it.
Film Editor, London UK
http://www.scottclementseditor.com -
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Thanks, Bill! Somehow this message got lost in my mail until now. Can you recommend a low cost audio disembedder by any chance? Which one do you use?
Film Editor, London UK
http://www.scottclementseditor.com -
Thanks, Paul. I wasn’t aware you had to commit Avid multicam clips. Most of the multicam clips came across fine. It was just one stubborn one that wouldn’t. At least it’s something to be aware of in future.
Film Editor, London UK
http://www.scottclementseditor.com -
Hey, Glenn. This is how I solved it. The clip that wouldn’t relink in Resolve was a group/multicam clip. In Avid, I went into the multicam clip and match-framed to the original single camera clip and edited that back in. Then, when I re-exported the AAF, it linked perfectly in Resolve. I don’t think Resolve likes Avid’s Multicam clips. It acted up again on another multicam clip in a different test. Avid doesn’t even relink to itself very well, so it’s not surprising it has troubles relinking in Resolve.
Film Editor, London UK
http://www.scottclementseditor.com -
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HI, Michael.
I am sending true progressive, but apparently, from what I’ve read, this is no longer an issue with this current generation of Dreamcolor monitors that just came out. I believe it is also YUV video, but this apparently is not an issue with the current generation of Dreamcolor. TheZ24x and Z27x do not demand RGB 444 progressive the way the last model did. I read Allan Teper’s articles before purchasing to make sure I could use it with the blackmagic mini monitor (without the expensive Blackmagic band-aid device that converted everything to RGB).
To be honest, I’m not sure if the blackmagic mini monitor is feeding the Dreamcolor correctly, because the image appears blown up slightly and has slight aliasing jaggies on 1080p 5D footage.
I know that the Avid GUI monitors do brighten up the image considerably and are completely unreliable, but I thought that the fullscreen playback from Avid on the macbook pro, as well as the images from exported quicktimes, would be much closer to Rec 709 than I witnessed on the Dreamcolor.
Film Editor, London UK
http://www.scottclementseditor.com