Thanks. I’ve seen the post but it’s not quite the same. The Arri film camera burns the tc on the edge of the film. Our Aaton reads that tc and normally the audio would be in the system and chase that tc, however we are dealing with 8 tracks and our system supports only 4 channels so we must post sync.
In theory i can put the Arricode on Ch.2 and capture that in Avid then have Avid read the timecode from ch.2 and put in the the Aux TC 1 column then auto sync. Avid isn’t reading that timecode though.