[Sachin Singh]

Shot on the SONY FS7 on Slog3 at EI 2000 and converted the shots on set using Resolve 12.5 to Apple Prores 422 because the editor uses FCP. There was a heavy amount of graphics to be superimposed in post so the exposures were very critical. Turn around time was very critical because we would not get much time for CC and grading in a studio. EI 200 gives 6 stops in HL and also covers the shadow areas very well. Works very well.
Alternately I have also tried the ACES workflow and it works too, despite a few crashes.
The funny thing on the FS7 is when I had to shoot on 50p then I would not get SDI out and had to go into the menu and change the settings to output on 50i. So I was filming on 50p but SDI OUT was 50i. Quite a bug.
I will post the converted and CC file next.

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