I am shooting at 4K, 100M, 24P, MOV. If all my footage is shot in this format, I don’t need to transcode to HQ, correct? 422 will cover retain full quality of the image, right?
Also, is there a way to edit in PROXY, and export in 422, without transcoding all the footage twice into PROXY and 422, in order to save disc space? For example, could I edit in PROXY, and then at the end, reconnect all the footage to the original files (H.264). Then change the sequence settings to match the original footage, re-render, and export as 422? Would that work?