Ryan Nash
Forum Replies Created
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Incase anyone else runs into this problem, I found a workaround form the Adobe forum. Just tested it and works perfectly!
Original post – https://forums.adobe.com/thread/2406907
1. In the project panel, select the clip/s that have been interpreted & need proxies to match.
2, Right-click, “Proxies/create proxies” which will cause AME to launch.
3. IMMEDIATELY switch to AME and stop the processing of that first proxy file.
4. Right-click the file, select “Reset”.
5. Select that and any other files you may have sent along, right-click, “Modify/Interpret” and set to the same time-base as the original media’s interpreted setting used on your timeline.
6. Start the processing.
7. When complete, all but that first file you stopped & reset will show as “attached”, you’ll need to attach that first file.
8. Select that file that isn’t attached, right-click, and ‘attach proxies’.
9. In the dialog box that pops up, navigate to the location for your proxies, select the proper file, and click “attach”. -
Ah well that answers that, thank you.
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I’ve tried with both Cineform and H.264 as the codecs and no luck. Yep proxies are also 60fps.
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5 years after the original post and this is still an issue in Premiere CC 2014. I just exported a H.264 video at 480p and had the exact same problem with vertical pink, greed and red lines appearing during a cross dissolve.