[Ryan Moyer]

So I believe I’ve found the issue here: https://forums.adobe.com/thread/358016

I guess the next question would be Is there a way to disable that and stick with the camera’s interpretation of the raw file rather than Lightroom’s changes based on its default profile for the camera? The images look much better before the lightroom adjustment.

[Ryan Moyer]

To clarify..

When I created the PP comp, I set it to 1280×720 at 59.94 fps (since that’s what my footage was)

The After Effects footage was rendered via the animation setting (same as I’ve always done), and placed into the PP comp.

When I render the PP comp, I used the h.264 codec with the HDTV 720p 29.97 fps preset.

In Media player classic the stuttering takes place during the intro to the video, which is NOT an AE clip. In Quicktime, the screen “shakes” during the duration of the video.

Using these same comp/render settings, I successfully rendered several days ago with no stuttering. Also, if I only render the video’s intro, it works fine. It’s when I render the entire video that the intro starts stuttering.

[Ryan Moyer]

I’m not following.

It’s the Premiere Pro composition that is 59.94 fps, and that is rendered using h264.

The animation codec was used to export the AE titles. The stuttering is not during the AE sections, it is during the intro section, which is just a video clip same as the majority of the video.

Also, the introduction worked fine with basically those same AE animations when I rendered it a couple of days ago. No stuttering or anything.

The only thing that’s changed since then is that I added some audio and video tweaks/clips later in the video, adjusted my volume levels, move some clips around, etc. All of this was not during the stuttering part, and none of the codecs or rendering settings I used on the video or the AE clips is any different than it was a few days ago when I had no problem with it (and is also the same as most projects I do).

Could this be a result of having too many timelines or something? I tried deleting a few but it didn’t seem to change. I’m rendering on a Q9350 quad core chip.

[Ryan Moyer]

I’m using CS5 for both AE and PP.

The AE footage was merely a couple titles that I created in AE, and rendered using the animation codec.

So unfortunately it doesn’t look like that’s the issue :\

[Ryan Moyer]

I guess I left out a pretty key word there. I’m rendering using the HDTV 720p 29.97fps preset under the h264 codec presets.

The comp is actually set up as 1280×720 at 59.94fps.

[Ryan Moyer]

Actually I meant I’d find a different source clip, not a different editor 🙂

I was just trying to use that one as the backdrop for some text, so I’m sure I can find plenty of alternatives. Shame that video co-pilot gives us the stuff at 24fps though, makes slowing it down really tough.

[Ryan Moyer]

Thanks.

I kind of figured that might be the issue. Unfortunately this is some background footage that I got via one of the video co-pilot bundles so there’s not really any way for me to re-shoot it, so I guess I’ll just find something else to use.

[Ryan Moyer]

So here’s a question. Let’s say that you had cut your clip into 100 different pieces to do the editing. Then you decide you want to adjust the color to give it a greenish hue. Normally you’d either have to apply that effect to every clip or render out and apply it to the final file and render again.

It seems like, with what we’ve learned here, you could just DL one of the cuts to AE and adjust the color there without pre-composing, and it would update all of your clips instead of just the one. Maybe that’s what they were going for.

It is a bit frustrating that there was no documentation detailing this, but in the end I think it working this way ends up being a good thing. It gives you the option of both editing the entire sequence in one fell swoop or just editing the one piece that you want to. It just would have been nice if they had told us this from the get-go 😛

[Ryan Moyer]

Vipul, there were two different solutions that both worked for me. I chose option 1.

1) After dual linking, in AE, select pre-compose composition, then apply timewarp to the ORIGINAL comp (not the new one that pops up when you pre-compose).

2) A bit more roundabout, but you could also split the clip in PP, render out just that section of the clip, take it into AE and apply the timewarp, and then copy the timeline from AE back into PP.

[Ryan Moyer]

I don’t believe you can pull the whole video file in.

I was doing my editing work in Sony Vegas. From there I just set Audition as the default audio editor, then I could right click on the audio portion of my clip and I would be presented with “edit in adobe audition”, which would open up the audio file in audition and any changes I saved there were automatically converted into my Sony Vegas project.