Forum Replies Created

Page 5 of 171
  • Russell Lasson

    April 12, 2011 at 3:04 am in reply to: NAB 2011: Thunderbolt Storage?

    Everything I’ve read is saying that July-ish is when Thunderbolt enabled devices are coming out.

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    April 6, 2011 at 5:04 am in reply to: 3D monitor via decklinkhdextreme 3d+

    MVC encoding is quite expensive. I would strongly suggest you consider using side-by-side if you can get away with it.

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    April 5, 2011 at 4:28 pm in reply to: 3D monitor via decklinkhdextreme 3d+

    Do you just need to play the project at a show or something or are they going to distribute Blu-rays?

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    April 5, 2011 at 2:42 am in reply to: 3D monitor via decklinkhdextreme 3d+

    The AJA Kona 3G requires Cineform Neo3D to output frame packing.

    https://cineform.com/pdfs/CF_CineForm%20AJA%20Kona%203G_AJA_vFINAL.pdf

    But it sounds like what you’re really going for is a 3D Blu-ray. Is that right?

    Currently there are only a few programs that can create a file for 3D Blu-ray. The file that you need to create is a MVC file. There could be more options announced at NAB, but for now, yes, you’ll probably end up at a post house.

    Have you done any 3D mastering with the files or are you just using the raw 3D right out of the camera?

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    April 4, 2011 at 4:06 pm in reply to: 3D monitor via decklinkhdextreme 3d+

    What are your source 3D files that you’re playing out?

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    February 26, 2011 at 4:42 pm in reply to: New Macbook Pro vs. Refurb Mac Pro

    It’s funny. I have the new Thunderbolt laptop. Thunderbolt is incredibly fast… I’m guessing. I won’t know for months from now how fast it is because you can’t buy anything right now. True adoption of won’t happen for at least another 6 months to a year.

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    February 26, 2011 at 5:48 am in reply to: New Macbook Pro vs. Refurb Mac Pro

    I’d go with the MacBook Pro. Thunderbolt is a really big deal. With both AJA and Blackmagic on board with development, I expect cool announcements at NAB! (though they might not ship for several months) So maybe go with the tower:)

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    February 26, 2011 at 5:44 am in reply to: Thunderbolt is here

    Thunderbolt is also dual channel too! So potentially 4x the throughput of USB 3. So running a display and storage off the same cable is possible.

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    February 16, 2011 at 1:20 am in reply to: Working with 3D – Anybody doing this yet?

    [Joey Burnham] “is anybody working in 3D these days?”

    We are.

    [Joey Burnham] ” I’m talking 3D for cinema”

    We are.

    [Joey Burnham] “broadcast”

    Not yet.

    [Joey Burnham] “How they get comped for Blu-ray or cinema I’m in the dark on.”

    For Blu-ray the dual streams are encoded to MVC (Multi-view codec or something like that). It compresses one eye as the master, then bases the other eye’s compression off the master eye. Makes it small and able to play back in 2D or 3D from the same file.

    For cinema, the streams are encoded into a DCP in 3D.

    For delivery, it’s pretty straight forward. It’s the acquisition and mastering that gets tricky.

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Russell Lasson

    February 16, 2011 at 1:13 am in reply to: AJA & Avid in Bed

    [John Kaley] “FCP, It’s do or die now.”

    Exaggeration.

    It was do or die for FCP a long time ago 🙂

    Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

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