[Ruprict Haacke]

Michael,

Yeah, it was while trying to navigate the post-production workflow for a project shot with the RED when I was required to provide an ‘offline’ (a process that I fumbled around with for ages). That’s why I was confused to hear that ‘offline’ and ‘online’ edits are a thing of the past now. ‘Digital negative’ and ‘digital workprint’ do seem to be better descriptions.

In the case of working with R3D files generated by the RED, what then is the proper workflow one should follow when cutting together a digital workprint?

Ruprict