Roland Hancock
Forum Replies Created
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Nathan, what can I say. It works! Thanks so much for the advice. Others couldn’t actually notice the problem in moving footage but it’s been bugging me for weeks. Again, a huge help.
R.
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Sorry other way around, left hand image is the export, right hand is the in the edit. I’ve now tried using the Pro res 422 hq setting as it’s supposed to be better for movement. No change. R.
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Hi Scott, OK, the embed code above should take you to the the grab. The right hand image is the export and the left hand image is the the same frame during the edit.
Cheers, R.
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Hi attached to this message should be a grab. The left hand image is the export where ghosting is clearly visible, the right the same shot while editing in fcp, where the image is interpreted correctly. The film is a three minute fashion shoot cut down from about thirty minutes of original footage shot onto miniDV tape. I’m shooting HDV usually at a high shutterspeed because I like the look, normal light conditions, no frame blendling, no special settings switched on apart from steadyshot. No down convert when I import into fcp.
The footage is fine when reviewed on tape and while editing in fcp, just the imported .mov and the export have the ghosting problem. I shoot 50i which I deinterlace at export stage but clearly this is not an interlacing issue. I’m exporting using the h264 setting on quicktime converter to make a 520 by 348 film ready for upload to the web.
Thanks for any help, R.
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Hi Scott, no I’ve checked and I can’t see that I have either of those settings. What gets me is that the ghosting isn’t there while editing, only in the import and export .movs, which means it isn’t the camera that has the problem, but the way that the footage is interpreted.