[Robert Sanchez]

Thanks for dropping the knowledge guys, you informed me quite a bit. Now to have that talk with the boss…

[Robert Sanchez]

Thanks for the timely response on my question Jake. The reason you mentioned is the biggest reason I would edit on the 720×480 sequence, so I can have more play with a shot that I need to scale up in size, because I don’t need the whole framing. I was just concerned that I would lose quality in my finished product if that was the case.
Is there a difference quality-wise if I scale up the 1920×1280 image as opposed to having a 75% scaled shot on a 720×480 sequence?

Thanks again,
Bobby S.

[Robert Sanchez]

Mark, I’ve tried your suggestions and unfortunatley have not reached a solution. I checked the project settings for both programs, and they both have the same rez, frame rate etc. I do see the red render bar over the AE avis I bring into Premiere however. The majority of my footage is miniDV and beta, not firewire files.
I thought the seq targa’s would have definatley worked, but that also gave the same result. I’ve even tried to import the AE comp into Premiere and render it out that way, same problem.
I have dual monitors in my workspace including a 4:3 television monitor. The TV monitor gives me a clean read on the graphs where the computer monitor is where I’m experiencing the problem. My projects are mostly for the web, so I’m trusting the comp monitor more than the TV. Am I right for assuming this? I’ve asked a few counterparts and they either haven’t experience this or had a solution. Anything else come to mind?

Sorry it took me so long to respond, I’ve had other projects around the office that had priority.