[Robert Murdoch]

Yeah,

I actually looked for something like that earlier because I saw another threat about the calibrated software. Unfortunately, I don’t have anything like that on my computer. I do have all the RED software as well as Shotput pro, but I feel like they shouldn’t have any conflicts.

I have discovered that if I go back to FCP and render the entire sequence in H264 and then export the quicktime as H264 all the watermarks go away except in the clips I recorded in slowmo in camera at 720p. I thought this may mean there was a resolution/frame size conflict, but when I isolate the clips and put them in a 720 timeline, the marks are still there in the quicktime. Any ideas?