[Richard Robin]

Thank you, Seth and Tim! What a life-saver! And free! Like Tim, I had footage shot at 60 fps in Russia under florescents at 50 Mhz next to a window with sun coming in. Usually, my camera (Panasonic GH2), set on full auto, eventually figures things out and compensates. But not this time. Tim’s 2-track method didn’t work, but 3 tracks at 100% – 50% and 50% opacity did the trick, albeit with some motion blur. But this was mostly a fairly motionless talking head. So the only time you see the blur is when the subject waved his hand. The varying sunlight is still a problem. The camera was probably too confused by the flicker to handle the exposure changes needed for the sun. To correct *that*, I’ll have to assign a spot, follow the waveform output and adjust keyframes manually. …Unless anyone knows of a filter that would allow me to assign a spot in the frame as a reference point and hold the luminescence level the same throughout the clip.