Richard Herd
Forum Replies Created
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I think you would be sending me lots of grinders.
https://magazine.creativecow.net/article/clients-or-grinders-understanding-the-three-market-types
Again, Mark has it right.
I’m serious when I said, “Try being a Producer, if you have corporate clients ready to buy some video.” Start with the writing. After that your next step is a kind request for proposals/bids/quotes, from video geeks.
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Reminds me of the scene in Reservoir Dogs. “It’s an amusing anecdote. Make it your own.”
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[Jonathan Gould] “The only thing you would have to pay is 20% of the total production price for any referral you receive from your Independent Marketing Executive.”
This part is tongue in cheek: If you want 20% from me, then it would require more than a referral. In fact, I will promote you to producer! You can keep the whole contract value and as much mark up as you can negotiate and simply hire me to do some stuff. Now that’s a sweet deal!
This part is actual: Mark Suszko lays it out pretty well. Corporations are big bureaucracies, so the relationship between the corporate contact and myself is very valuable.
In other words, if you have these relationships established, then you should consider “promoting” yourself to Producer. You can find some detail budgets by googling “aicp bid form” which stands for Association of Independent Commercial Producers.
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Try FCPX for 30 days for free.
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It really is a blast when you’re at the game. If you haven’t had a chance to attend a baseball game, I hope you get to soon.
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So I’ve read the proposed law. I can’t find the sections where it’s so bad. Any help in that matter, finding the sections in question, would be appreciated.
https://thomas.loc.gov/cgi-bin/bdquery/z?d112:H.R.3261:
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And you can’t use him everyday!
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I’m talking about the interface.
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[Craig Seeman] “… by a potentially more powerful system that will have wider appeal.”
That’s the speculation I like…a desk top version of the iPad! Cutting video with your finger tips, no mouse, no keyboard.
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I read the whole thread first.
Depends what I’m cutting. The primary storyline for a narrative film is dictated by the script. Each scene is its own compound clip. I’ll find the clip I want in the browser and set the I/O and then right click, add to compound clip. It is the primary. The next cut I find int he browser and cut it in, and so on.
Have you used the sync clip option?