Richard Harrington
Forum Replies Created
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Timecode filter in FCP or Compressor
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Anything beyond 422 (not HQ, not 4444) is OVERKILL
You also have no need to work with color if all you want to do is fix white balance. Look at the Cow Podcat library for how to use the 3-way color corrector or check out our advanced title on FCP color corection.
With all of that said…. dont make more work than needed.
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Try reformatting you card and see if that helps
Also check the quality/speed of your cards
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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It’s not overheating. These cameras have record limits. Just push the record button twice to stop a clip, then re-record a new one
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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I think you mean mask… crop is to an entire document
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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You can find tripod heads that are fluid heads that will work with photo style tripods. Look to the same manufacturer of your sticks as a starting point. Vendors like Adorama and BH carry a wide selection
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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When you registered your software with Adobe they have it. Login and look it up or contact customer service
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Why can’t you use Lav’s not very hard… or for that matter a stick mic
Put a microphone 10 feet away and it sounds like crap
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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48 kHz 16 bit Stereo AIFF
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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I have multiple old Nikon lenses (from several different manufacturers) You need a ring to control F-stop.
I’ve also used Photdiox adpaters and quite happy. Duclos in Hollywood can mod the lenses too.
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques